Monday, March 18, 2013

Mask, Movement, Mayhem and Melons

DAY NINE

You know your production has started to take some direction when you here your director say to herself, "I'm holding a watermelon but I don't know why...a personal watermelon..." 


The evening started off working with actor and sound director CJ Fujimura who is working on creating the score and sound identity for our production. The actors got to play both in mask and out of mask with the core melody of our piece. It was a great warm up exercise and way for the ensemble to get a feel of the direction our show will be taking in terms of sound.














Sound Director CJ Fujimura, in mask

Today we also continued our individual character interviews (see: Character Interviews) but we decided to move the audience into the house. This change allows the actor on stage to have freedom of movement in any direction and to start performing to the house. Each interview is followed by a short discussion which allows both the interviewers and the interviewee to discuss and digest anything important that they discovered. 


Sunday, March 17, 2013

From the Actor's Perspective: Character Interviews


"Today several cast members had a chance to be interviewed in character by the whole ensemble. Not only was it great fun and revelatory to see how each character answered often quite difficult questions (such as “What does power mean to you?”), but it was also amazing to see how quickly through-lines and motifs began to develop between characters and their backstories.


Three of our high status characters tentatively grouped as “untouchables--” played by Gabe, Bronwyn, and Adam--were interviewed early in the process. Their storylines quickly brought forth a recurring theme of souls, which was deepened through other interviews. We uncovered many different incarnations of this “soul” theme and related actions: selling souls, buying souls, stealing souls, losing a part of your soul, fragmenting souls, and so forth. I found it particularly interesting to consider the “soul” as a commodity in our capitalist system. Different characters also gave interesting perspectives on what a physicalized soul might look like. Other themes that came up were money/greed, lost loves, and what it means to give a gift.



Kat’s and Matt’s characters contrasted interestingly with the demons. They both possessed a certain innocence and child-like spirit, they are connected with confined spaces (a sandbox or a cage), and they had a fascination with things that are “above—“ the sky, birds, clouds, etc. We found out that Gabe’s character might have a tender spot for Kat’s Sandbox Boy.  


Finally, having a chance to do the interview myself was so helpful in discovering what initial character ideas stuck the most and could develop into something beyond a mere idea and have resonance for our show. Answering questions on the spot is a great way to get out of the headspace and more into the intuitive space and also try out sustained character physicality. There were certain things I just knew already about my character Nero—such as his obsession with watermelons or opera—but in the interview I discovered how these seeds might come to fruition (ie: working in a grocery store for most of his life as guy who sells melons? using music as the primary channel for his passion and connecting to his father through playing violin?). I also interestingly discovered a connection with Gabe’s character that has to do with tricking him in a money-game. There is also some mysterious connection with Gabe prior to when he “sold his soul.” Did they work together once in the grocery? I also deepened my understanding of family and the relationship with my daughter (Gwenn’s character). The idea of “soul” came up again when Nero said he lost half his soul when his wife died. Other quirks about Nero that came up were frequently forgetting things and possessing a sense of paranoia for which I have yet to fully understand the cause.  After my interview, it was interesting to see how Gwenn’s interview both built upon and added new layers to ideas I brought up as Nero.  

Overall, I feel I personally made good progress today, and perhaps more importantly the group as a collective made tremendous leaps in discovering common threads that will help us build a dynamic
show.  I can’t wait for tomorrow to learn about the rest of the characters in more depth!"


- Vicky Moyer
Ensemble Member




And we're back!

DAY EIGHT
Happy St. Patrick's Day!

The ensemble returned today after a nice, week-long spring break ready for another intensive day. The actors all had time to gather both written and recorded interviews in regards of power. These interviews will be used not only in the rehearsal process but also in the dramaturgical process (the writing and plot structure of our piece). Our day started with a check in and chance for all of the actors to catch up with each other and get a feel where the ensemble was at in terms of energy and emotion. 

The actors got another chance to study each others' image boards and masks, an important step in really understanding all of these very unique and already complex characters. We hope to have these boards on display before and after each show so the audience can experience the type of work we did to create this production. 


CLICK PHOTOS FOR A BETTER VIEW






















It was then time to get back into mask and awaken their characters that they hadn't been able to play with in a week. Revisiting sound and movement was an important part of restarting our process. As our characters start to get to know each other and establish relationships our piece, which will revolve around themes of power, is starting to take shape. While still very early in the creative process, it is amazing to see how much has already been created. 

An important task that we started today was the individual character interviews. Each character will receive the chance to be interviewed by Kali and the entire ensemble. While long, this process is extremely important. It allows for every character to be well introduced and, as reoccurring themes and story lines appear, we start to have material to design a story around. We will be trying to get as many interviews done each day until every actor has a chance to be interviewed in character.

FOR MORE, CHECK OUT- From an Actor's Perspective: Character Interviews





Thursday, March 7, 2013

Last Rehearsal Before Spring Break!

DAY SEVEN

After making a lot of discoveries about their characters on Day Six, the ensemble was excited to reunite to share and further explore their characters. Actors had the chance to play with costume choices again and explore sound and movement.


































A fun part of the rehearsal were brief character interviews. Each character had the chance to present their image board to the other actors who then asked them questions. For most actors, this was their first time meeting the characters. Establishing character relationships will be an important part to creating the final production and today was a good first step. 










Wednesday, March 6, 2013

Image Boards and Interviews

DAY SIX

Our ensemble did not meet for rehearsal Wednesday, but the actors were given a specific assignment to work on before Thursday night. An important part of the devising process for Mask, Movement, and Mayhem is each character's image board. These boards are reflections of the characters, physically and mentally. Components include 3 adjectives to describe the character, games they like to play, a song or rhythm they enjoy, and a dance step. Every board is unique and will be a continuing project throughout the rehearsal process. 

Each actor had the chance to present their board, in character, to the ensemble Thursday night.
Another important part of Wednesday's assignment were character interviews. Each actor had a partner whom they interviewed in character. Interviews could include questions about name, family, interests, and relationships. 


Tuesday, March 5, 2013

A Big Step Forward

DAY FIVE

Our actors all left rehearsal yesterday excited about their mask choices yet nervous about what the future nights might hold. Today's rehearsal started with breathing and meditating exercises to warm up the actors and this calming reflection flowed into our mask work as the cast started to discover the thoughts and physicality of their characters. Characters were given the opportunity to be interviewed by the cast, requiring them to think of answers their characters would give. While our rehearsals have not even hit the one week point yet, the entire ensemble has made big steps devising our piece!

CLICK PHOTOS FOR A BETTER VIEW!


Estie Pyper

Emily Mack

Evan Turissini

Ethan Van Buskirk

Adam Wennick

Kat Schmidt

~~
Another large component of tonight's rehearsal was the selection of suitcases. Each actor has a unique suitcase in which to not only store their mask but to start collecting potential props and costume pieces as well as any other inspiring materials for their characters. The suitcase may or may not be used on stage but will be an important factor in building their characters. 



Victoria Moyer


Estie Pyper

Kerry Dziomba

Matt Dranzik

Emily Hooper






Gamelan

Gamelan (Gah-muh-lawn) is a ensemble style of music mainly from the Bali and Java regions of Indonesia. Bucknell University is fortunate enough to not only have Professor Bethany Collier, an expert in Gamelan, but an entire Gamelan ensemble. Cast member and sound director Cj Fujimura studies Gamelan and will be incorporating its unique and beautiful sounds into our production. Director Kali Quinn went with CJ today to experience Gamelan for the first time. Check out CJ's demonstration in the video below: